In Our Lives We Are Whole: Snapshots of Everyday Life, 1935-1975

The most powerful and sustained vehicle for black self-representation and celebration did not require the cooperation of the media. Far from the stage sets of Hollywood and the advertising agencies of Madison Avenue, a simple, ever-present device was stoking a quiet visual revolution: the snapshot camera. As the popularity of increasingly inexpensive and easily accessible […]

Bill Staines's Bridges and the Art of Meta-Folk, Journal of the Society for American Music

PDF) “Your Livelihood is on the Line” Freezing Workers in Aotearoa/New Zealand, 1973–1994

Julia – For All The World To See – UMBC

Hyperrhiz: New Media Cultures

Publication – For All The World To See – UMBC

Sports Heroes – For All The World To See – UMBC

Protesting Pictures – For All The World To See – UMBC

Documenting Civil Rights – For All The World To See – UMBC

The Power of a Photograph: The Lynching of Emmett Till – For All The World To See – UMBC

Teenie Harris Photographs: Around the Clock

Documenting Civil Rights – For All The World To See – UMBC

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