Michael Harding Cremnitz White No. 2 - The combination of pigment and walnut oil produces some wonderful qualities, possibly due to its lesser ability as a wetting agent, which results in less pigment within the actual mixed paint and therefore increases transparency and subtler intermixes with colors. There is inaccurate material publicized that walnut oil goes rancid and therefore is not to be relied upon as a drying oil which is completely untrue! It was used alongside linseed oil for centuries and found favor with just about all artists who worked with it. Most artist, dare I say, who try it love it!
Michael Harding Cremnitz White No. 2 - The combination of pigment and walnut oil produces some wonderful qualities, possibly due to its lesser ability as a wetting agent, which results in less pigment within the actual mixed paint and therefore increases transparency and subtler intermixes with colors. There is inaccurate material publicized that walnut oil goes rancid and therefore is not to be relied upon as a drying oil which is completely untrue! It was used alongside linseed oil for centuries and found favor with just about all artists who worked with it. Most artist, dare I say, who try it love it!
Color Index
PW1
Drying Speed
Average
Transparency
Semi-Transparent
Lightfastness
Excellent
Oil Content
Very Low
Oil Type
Walnut Oil
Tint Power
Average
Toxicity
Toxic
ASTM D-4236
✓
Prop-65
✓
Michael Harding Artist Oil Colours, Cremnitz White No
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Founded by artists, M. Graham Oils use only the finest vehicle, Walnut Oil to make some of the finest oil paints on the market! Walnut oil provides a unique refractive index and will not yellow over time, which allows for incredible paint brilliance. Walnut oil's unique body allows for an increased amount of pigment suspension in comparison with other oils, giving their paint higher color saturation and tinting strength, as a result.
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A3 Cremnitz White - Old Holland Classic Colours